Screenwriter and director Cesare Zavattini was truly ahead of his time when he organized the 1953 film compilation “L’amore in città” (Love in the City), a collection of seven short film essays directed by Zavattini, Dino Risi, Michelangelo Antonioni, Carlo Lizzani, Francesco Maselli, Federico Fellini and Alberto Lattuada.

The New York Times did a beautiful article on the collection in 2014 referring to Zavattini as “a pioneer of documentary fiction (sometimes called ‘hybrid cinema’), in which non-actors essentially play themselves, dramatizing their particular situations.” With the exception of Fellini’s short, in which he narrates something that happened to him but uses actors to demonstrate it, this collection is a shining example of “hybrid cinema.”